Indigo Girls, released in 1989, was an excellent national debut. A guest vocal by R.E.M.'s Michael Stipe ("Kid Fears") gave them initial college radio credibility and the single "Closer to Fine" was a hit -- the album eventually broke the Top 30 and earned a Grammy for Best Folk Recording that year. By the end of 1991, it achieved platinum sales. Strange Fire was reissued in the fall with a cover of "Get Together," replacing one of the original tracks.

The follow-up, 1990's Nomads Indians Saints, didn't fare quite as well. It was nominated for a Grammy and eventually reached gold status, but the material wasn't nearly as strong. A live EP, Back on the Bus, Y'All, was released in 1991 while they regrouped. It was also certified gold and was nominated for a Grammy.

In spring of 1992, they made a comeback with Rites of Passage, which debuted at number 22 and went platinum by the year's end. The album showed an increasing diversity and some of their strongest songs to date. Almost exactly two years later, Swamp Ophelia was released and entered the charts at number nine; it went gold by the end of the year. A double live album, 1200 Curfews, was released in 1995 and the much awaited follow-up to Swamp Ophelia, Shaming of the Sun, followed in 1997. The duo's next effort, Come on Now Social, appeared two years later.

2002's Become You was stripped down in comparison to the orchestration of the Girls' more recent work, and 2004's All That We Let In was generally regarded as their strongest album in years. A rarities set appeared the following year, marking Saliers and Ray's two decades together as Indigo Girls, and their last for Epic. Shortly thereafter, Saliers and Ray signed a five-album deal with Hollywood. The Mitchell Froom-produced Despite Our Differences followed in September 2006. ~ Chris Woodstra, All Music Guide