Though previously a very polarizing group, this may very well be The Decemberists [ tickets ]' album for the mases--a set that feels like it could be much more accessible to those who don't find themselves hanging on frontman Colin Melloy's every world.

Having said that, it is important to note that the album--The Decemberists' first for a major label--does not lose any of the grand scope found on the long-heralded "literary" indie outfit's earlier releases; in this case, the material is based upon and around an ancient Japanese folk tale.

The album opens with the signature Decemberists folk of "The Crane Wife 3," moving straight into the sweeping, 12-minute-plus "The Island, Come and See, The Landlord's Daughter, You'll Not Feel The Drowning"--all funky keyboards and '70s grooves before transitioning into acoustic guitar, then melding back into a prog-rock vibe.

It's this musical expansion, guests such as Laura Veirs, and an overall less self-conscious air that make "The Crane Wife" a more open and inviting listen. Just try to not get pulled in and hooked on the sugary sweet duet "Yankee Bayonet (I Will Be Home Then)." We dare you.